This March, we’re proud to feature Chloë Bellande, a Montreal-born post-production professional making her mark in Los Angeles. In an industry where women remain underrepresented in leadership roles, Chloë has risen through the ranks, shaping high-end scripted series for Netflix, HBO Max, and Prime Video with precision and storytelling expertise. Beyond her editorial work, she mentors the next generation of post-production professionals through the Warner Bros. training program, inspiring new voices to thrive behind the scenes of film and television.
What inspired you to move from Canada to the U.S., and how did your Canadian background influence your work in Hollywood?
I always knew from a young age that I wanted to live and work in the U.S. I was craving an environment that felt bigger in scale and more open to different kinds of voices and stories. As much as I’m proud of being Canadian, I often felt creatively limited there. Moving to Los Angeles exposed me to a level of diversity, in perspectives, cultures, and ambition, that I had been searching for. Hollywood operates as a true crossroads of international storytelling, and being in that ecosystem pushed me to grow faster and think bigger. My Canadian background still shapes my work ethic and resilience, but relocating gave me the creative freedom and range I didn’t feel I had access to before. And of course, the outdoor lifestyle and year-round sunshine was a huge bonus!
What are the unique challenges and rewards of working in post-production for high-end scripted television?
High-end scripted television is incredibly rewarding, but it comes with its challenges. You get to be part of a team telling complex stories at the highest level, working on series for platforms like Netflix, HBO Max, and Prime Video. The pace is intense, and the stakes are high, every department, from editorial to VFX and sound, has to work in sync. As a post supervisor or coordinator, it’s your job to keep all the moving pieces aligned without compromising the storytelling. When everything comes together and the story lands as intended, it’s an incredibly satisfying experience.
As an instructor and mentor for the Warner Bros. program, what advice do you most often give to aspiring post-production professionals?
I tell aspiring post-production professionals that imposter syndrome is real, and completely normal. The industry and workflows are always evolving, so even seasoned professionals are constantly learning. Every show is an opportunity to develop not just technical skills, but also the interpersonal and collaboration skills that make a team successful. The key is to stay curious, stay humble, and embrace every learning opportunity.
Why do you think it’s important to mentor the next generation in the industry?
Mentoring the next generation is incredibly important to me because, before the pandemic, there were very few programs to train Post Coordinators. When I participated in the Warner Bros. program in 2020, I was part of the very first Los Angeles cohort, the last one had been in New York that same year. Programs like these are crucial not only for vetting qualified candidates, but also for bringing in professionals who are genuinely passionate about their careers. The program I now teach also emphasizes diversity — both ethnic and gender — to ensure that the next generation of post-production professionals reflects the wide range of voices and perspectives that the industry needs.
Looking back on your journey from Montreal to Hollywood, what are you most proud of?
I’m most proud of the life I’ve built from the ground up. Getting my green card was a huge milestone, and later becoming a U.S. citizen was incredibly meaningful. I came to Los Angeles with no family support, no partner, and no financial safety net, just determination and a love for storytelling. Over the years, I’ve worked hard to build my career, network, and create opportunities for myself, and seeing where that persistence has taken me today is something I’m really proud of.
Do you go back home often and what do you miss most about Canada?
I try to go back to Canada two to three times a year, especially for the holidays, to spend time with family and close friends. Beyond that, I don’t feel much nostalgia for the country itself. Visiting feels a bit like slipping on an old pair of shoes I’ve outgrown: familiar, but not really “home” anymore. Los Angeles is where I feel at home now, and I have no intentions of looking back.
Connect with Chloë on Instagram!